Obviously, if you’re a photographer who makes optical prints directly from the neg, scratching isn’t an option. Or I could risk scratching my film from time to time, which isn’t hard to clone out of a frame or two since I scan my film. The way I saw it, I could either put up with water-spots and rewash my film over and over as I chased them from all the good frames to the bad frames. I chose the Dot Line probably just because it was available at a good price. And water-spots were never a problem then.
I remembered in school, we used a squeegee to dry our film. Expensive is always better, right? Well, the only difference that I saw between Kodak Photoflo and Edwal’s LFN was that the LFN, smartly, incorporates an eyedropper on its bottle so you can measure it out more precisely.įinally, I decided to get a little crazy. A lot of people online swore at Photoflo and swore by LFN wetting agent, which is considerably more expensive. This reduced the water spots a bit but they were still occurring. To resolve, I started doing a final wash with Photoflo in distilled, rather than tap water. Healthier for people but no bueno for film processing! Apparently the water here is more fortified with minerals than in good ole Bmore. Every time I processed, I’d get water-spots drying all over my film. I didn’t use distilled water during film processing and I always dried my film by “squeegeeing” it with wet fingers prior to hanging. As the saying goes, “it’s a poor crafts-person who blames their tools.” I firmly believe that this is the case with squeegees. I followed this advice for years but then came to disagree. Many shooters will tell you that squeegees scratch negatives and to avoid them at all costs.
Alternatives to kodak photoflow download#
You can download the sample files used in the tutorials from here.I have a very controversial little tool to thank for the cleanliness of my negatives the Dot Line DL-6121, more commonly known as a rubber squeegee. Here is a screenshot showing the Curves tool applied to an image to increase the contrast: Tutorials Moreover, the layers structure can be saved to disk and re-opened again via the command line. The individual layers can be activated and de-activated using the radio buttons on the right of the image. The present version allows to open an image file and apply basic editing filters via non-destructive adjustment layers. PhotoFlow is in a early development stage. User-friendly interface to develop new tools and image filters as external plugins.Support for common photo editing tools: levels, curves, brightness-contrast control, blurring, sharpening, cropping, resizing, colorspace conversions, etc., all implemented in the form of image layers.Support for layer grouping and layer masks.Fully color managed workflow: user-defined input, work and output profiles, soft-proofing, etc.Allows to load and edit images of arbitrary size, thanks to the underlying rendering engine based on the VIPS library.Plugin-based architecture: new tools can be implemented as separate modules that are loaded at runtime.Support for 8-bits and 16-bits integer as well as 32-bits and 64-bits floating point precision, selectable at runtime and on a per-image basis.Fully non-destructive, layer-based photo editing workflow with realtime preview of the final image.The aim of the project is to provide a fully non-destructive photo retouching program that includes a complete workflow from RAW image development to high-quality printing. Creating and using luminosity masks with PhotoFlow (inspired from Patrick David's blog).
Alternatives to kodak photoflow how to#
0 kommentar(er)
